Search: Starring Vincent Lindon

Anything For Her restores feeling and humanity to scenes we see played out far too often in an utterly meaningless way.

The greatest strength of The Apparation is how ably and confidently it projects not just uncertainty, but the nebulous possibility of it.

Augustine belongs to a family of movies that scrutinise the social construct of illness, not with a lecture but with a wayward glance.

The precision of Claire Denis' perplexities, the ardent blows that fire at the heart and the head, are unequaled in her film Bastards (Les Salauds).

Although this film has no body count, it carries with it all the danger of an erotic thriller.

The film, co-written with Hélène Zimmer, functions like exquisite lacework with new patterns emerging at every turn.

Stéphane Brizé's perfectly balanced two-hander is a breath of fresh air.

Watching the two women find common ground, and then wreak havoc upon it, is what makes this otherwise unremarkable film worthwhile.

Stephane Brizé is a master of films that appear to say very little but actually speak volumes.

Mademoiselle Chambon will appeal more to those who prefer their 'affair drama' narratives slow-burning and the characters almost painfully restrained.

Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest.

The audience laughed at times that were not meant to be that kind of funny, a primate exhalation of surprise and relief.

A beautiful, sensual film that offers a new take on that oldest of clichés, the one-night stand.

A fiercely intellectual film, Lafosse shears away any shred of sentimentality, although humanism remains.

By keeping the focus firmly on the personal relationship between the two men Lioret lifts his story out of cliche and into a place where emotions flourish.